REVIEWS
Sally Michel, Fall Landscape, 1962
"Sally Michel: Reshaping Realism," 2022
A Singular American Painter and His Perennially Disregarded Wife
By ROBERTA SMITH
The New York Times
Published: May 12, 2022
Doris Lee with “Portrait of Judy Marcus,” 1954.
"Simple Pleasures: The Art of Doris Lee," at the Westmoreland Museum of American Art and "Doris Lee: American Storyteller" at D. Wigmore Fine Art, 2021
Doris Lee, Unjustly Forgotten, Gets a Belated but Full Blown Tribute
By MEREDITH MENDELSOHN
The New York Times
Published: December 30, 2021
Sally Michel, Field in Hilly Landscape
"Sally Michel: Rhythms of Light and Color," 2016
Sally Michel, Landscapes of Color and Texture
By ROBERTA SMITH
The New York Times
Published: January 15, 2016
Tadasky, C-200 (Multicolor with White), 1965
"Tadasky: Control and Invention," 2015
Gallery Chronicle
By JAMES PANERO
The New Criterion
Published: April 2015
Julian Stanczak, Permutation, 1967
"Our Postwar Focus: Abstraction of the 1960s-1970s," 2014
Roberta Smith’s Tour of the Sizzlers on the Upper East Side
By ROBERTA SMITH
The New York Times
Published: April 3, 2014
Ernest Fiene, Lasher Farm in Winter, 1926
"The Woodstock Story Told in Paintings, Photography, Sculpture and Ceramic," 2012
Art in Review: The Woodstock Story
By ROBERTA SMITH
The New York Times
Published: January 19, 2012
Thomas Downing, Fold One, 1968
"Structured Color," 2011
Gallery Chronicle
By JAMES PANERO
The New Criterion
Published: May 2011
Charles Hinman, Overlap, 1980
"Structured Color," 2011
Hard-Edgedness in American Abstract Painting
By ROBERT C. MORGAN
The Brooklyn Rail
Published: March 2011
Ed Mieczkowski’s “Blue Bloc” (1967), left, and Ernst Benkert’s “Black and White Op-Tickler” (1964)
"Op Out of Ohio: ‘Anonima Group, Richard Anuszkiewicz
and Julian Stanczak in the 1960s’," 2010
Art in Review: Op Out of Ohio
By KEN JOHNSON
The New York Times
Published: June 10, 2010
Thomas Boccia views “Exploring Black and White.” Credit...Marilynn K. Yee/The New York Times
"Exploring Black and White: The 1930s Through the 1960s," 2009
Art and Design: Uptown Art Mingles With Architectural Gems
By ROBERTA SMITH
The New York Times
Published: December 4, 2009
Paul Jenkins, Phenomena Wanderland Express, 1976
"Paul Jenkins: Space, Color, and Light," 2009
Paul Jenkins
By ROBERT AYERS
ARTnews
Published: September 2009
Paul Jenkins’s “Phenomena Matsumi Chant” (1962). Credit...Paul and Suzanne Jenkins/D. Wigmore Fine Art
"Paul Jenkins: Space, Color, and Light," 2009
Art in Review: Paul Jenkins
By ROBERTA SMITH
The New York Times
Published: July 9, 2009
"Competing Ideologies," 2008
Art in Review: Competing Ideologies
By KEN JOHNSON
The New York Times
Published: August 21, 2008
View as PDF
"Four Optic Visionaries," 2008
Art in Review: Tadasky
By KEN JOHNSON
The New York Times
Published: October 10, 2008
“The Violinist, Woodstock” by Doris Lee, a midcentury painter who spent her summers in the Catskills. Credit: Noel Allum
"The Engaging World of Doris Lee," 2008
Offering a Painter for History’s Reconsideration
By ROBERTA SMITH
The New York Times
Published: April 7, 2008