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D. Wigmore Fine Art, Inc.
Current Exhibition
Past Exhibitions
Inventory
Estates
Post-War Focus
Museum News
Reviews
About
contact
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EXHIBITION HISTORY
Featured
EVOLVING AMERICAN ABSTRACTION
GABRIELE EVERTZ: WORKS FROM 1987 TO 1995
AMERICAN OP ART: SYSTEMS, PATTERNS, AND LIGHT
WOMEN PAINT SUMMER
SALLY MICHEL: STRUCTURED BEAUTY
ABSTRACTION IN FIBER AND PAINT, 1976-1989
SUN, SEA AND DORIS LEE
AMERICAN STYLES OF THE 1930s
CHARLES GREEN SHAW (1892-1974): THE BERTHA SCHAEFER YEARS
THE CHANGING WEST: 1865-1965
I. RICE PEREIRA: THE NATURE OF SPACE
PAUL JENKINS: LYRICAL ABSTRACTION
THE FIGURE TELLS THE STORY
SALLY MICHEL: RESHAPING REALISM, 1950-1985
DORIS LEE: AMERICAN STORYTELLER
TADASKY: EXPANDING VISION, 1964-1970
THE BIRTH OF AMERICAN ABSTRACTION: THE 1936 CONCRETIONISTS EXHIBITION
HOMAGE TO THE SQUARE: ALBERS' INFLUENCE ON GEOMETRIC ABSTRACTION
AMERICAN ART FOR THE PUBLIC: MURAL STUDIES AND PAINTINGS, 1930-1945
EMIL BISTTRAM AND RAYMOND JONSON: FOUNDERS OF THE TRANSCENDENTAL PAINTING GROUP
DOT, STRIPE, DRIP: WASHINGTON COLOR PAINTERS
ENGAGING THE FAR WEST: ADOLF DEHN'S COLORADO AND PETER HURD'S NEW MEXICO
REALISM TO THE EDGE OF ABSTRACTION
DEVELOPING ABSTRACTION THROUGH COLLAGE
THE SHAPED CANVAS MOVEMENT OF THE 1960s
TERRA FLORIDA
AMERICAN WOMEN PAINTERS
FRANCIS CELENTANO: COLOR IN MOTION
THE AMERICAN FARM
PAUL REED: WASHINGTON COLOR PAINTER
